Title: The Four Profound Weaves by R.B Lemberg
Publisher: Tachyon Publications
Publication date: 4 September 2020
Genre: Adult | Fantasy
Page extent: 192 pages
Goodreads blurb: Wind: To match one’s body with one’s heart
Sand: To take the bearer where they wish
Song: In praise of the goddess Bird
Bone: To move unheard in the night
The Surun’ do not speak of the master weaver, Benesret, who creates the cloth of bone for assassins in the Great Burri Desert. But Uiziya now seeks her aunt Benesret in order to learn the final weave, although the price for knowledge may be far too dear to pay.
Among the Khana, women travel in caravans to trade, while men remain in the inner quarter as scholars. A nameless man struggles to embody Khana masculinity, after many years of performing the life of a woman, trader, wife, and grandmother.
As the past catches up to the nameless man, he must choose between the life he dreamed of and Uiziya, and Uiziya must discover how to challenge a tyrant, and weave from deaths that matter.
Set in R. B. Lemberg’s beloved Birdverse, The Four Profound Weaves hearkens to Ursula Le Guin’s The Left Hand of Darkness. In this breathtaking debut, Lemberg offers a timeless chronicle of claiming one’s identity in a hostile world.
I’ve been having such a good year for novellas, I haven’t read a single bad one and this was no different! Queer novellas are pretty much the only thing giving me life right now.
The Four Profound Weaves is a novella set within R.B Lemberg’s Birdverse series. It follows a nameless man who has recently transitioned, as he searches for a name; and his friend, a weaver, who is searching for her Aunt so she can be taught how to weave from death, the last of the four profound Weaves.
As a newcomer to this series, I won’t lie, I did find the first half quite confusing. There is so much history, mythology and worldbuilding that needed to be crammed into such a small novella and I think I probably would’ve benefited by reading some of the Birdverse series prior to jumping straight into this, just so I had a better understanding of this world. But by the second half, I felt much more comfortable in the world and really enjoyed this!
My absolute favourite thing about this novella is the magic system. Interesting magic systems are of one the best parts of reading fantasy because they’re all so unique, and the fact this one was all about weaving was so cool?? I need more crafts and magic in my life! Weaving magic can be created through four elements: wind, for change; sand, for wanderlust; song, for hope; bones, for death. The way these magics influenced the story and world were so interesting. I found the carpets of change, made from wind, particularly amazing: that these carpets are used by individuals who wish to change their bodies to match their identities is just so cool?!
Which leads me to my second favourite thing about this novella, the exploration of gender, expression and identity. God I really just fucking love books that have magic systems that allow for trans and nonbinary individuals. We have evolved past the need for binary magic systems!! I loved how the nameless man explored his new identity but in a way that took into account the fact he’d lived life as a woman for 60 years? The way he embraced the fact he was a man but also that he’d been raised to trade and explore the world, which would usually be a woman’s role. It was so great to see that acknowledged? That yes he was a man, but you don’t just lose everything that made you who you are for the last 40 years after transitioning?
This was a really great novella. Given the subject matter, there is a great deal of transphobia, dead-naming and misgendering so do be aware of that going in. But I’m definitely very interested in reading more of Lemberg’s work set in the Birdverse!