Title: Beyond the Black Door by A.M Strickland
Publisher: Imprint
Publication date: 29 October 2019
Genre: Fantasy | Young Adult
Page extent: 400 pages
Rating:

Goodreads blurb: Kamai was warned never to open the black door, but she didn’t listen …
Everyone has a soul. Some are beautiful gardens, others are frightening dungeons. Soulwalkers―like Kamai and her mother―can journey into other people’s souls while they sleep.
But no matter where Kamai visits, she sees the black door. It follows her into every soul, and her mother has told her to never, ever open it.
When Kamai touches the door, it is warm and beating, like it has a pulse. When she puts her ear to it, she hears her own name whispered from the other side. And when tragedy strikes, Kamai does the unthinkable: she opens the door.
A.M. Strickland’s imaginative dark fantasy features court intrigue and romance, a main character coming to terms with her asexuality, and twists and turns as a seductive mystery unfolds that endangers not just Kamai’s own soul, but the entire kingdom …

This had all the hallmarks of something I would adore: a villain romance, morally grey characters, soul magic, beautifully descriptive language, awesome queer rep (including biromantic ace rep & trans rep). But, but, but…. I just didn’t click with the writing. Whilst part of it I can probably put down to the constant headache I had the days I read this, I also just think it could have done with a heavier edit. There was a lot of repetition, often long winded description over the same or similar items, and I think this resulted in some unfortunate pacing issues. Too long was spent getting between events with all the description, and then at other times it was if a million different things were happening at once.
What I enjoyed:
- the queer rep in this book is poignant and beautifully developed with a huge focus on coming out when you’re safe and secure, and only when you are ready. Both the main character, Kamai, biromantic ace, and Kihan, her trans bodyguard, go through this journey to explore who they are and are allowed to come to terms with their own identity in their own time. Kihan goes by Nikha and she/her for most of the novel, until he feels able to come out and I really appreciated this representation of a more complex coming out than is usually seen in YA.
- Vehyn. I’m always such a fan of villains, and I really liked the way Vehyn’s air of mystery developed as the villain. However, as soon as he becomes the romantic plotline, he becomes very problematic (which I will talk about below).
- The religion: I’m a huge fan of intricate religious and political systems in fantasy, so it was so great to read so much about the religion, the history of it, and the links to the soul magic.
- The concept is amazing! I love the idea between these doors to the soul, and everyone having their own building inside their head that perfectly represents their soul. One of my favourite bits of detail were the descriptions related to each person’s soul, they really helped charactise Kamai’s companions.
What I didn’t enjoy:
- Whilst at times the detailed description felt beautiful, there was so much of it, and sometimes we seemed to repeatedly get description of the exact same thing (I felt like there are pages dedicated to the same buildings), it was very repetitive.
- This was also true of the inner reflection. Because so much of the time was spent in Kamai’s head, the scenes with Veyhn felt very repetitive.
- This was part of what led me to not appreciate the romance as much as I thought I would. Whilst I like Vehyn as a villain, the romance felt under developed (perhaps because all the scenes seemed to be the exact same to me so all merged to one), but also, the relationship is clearly abusive and…you can make a villain romance without that?! I’m all for villain romances, when done well, I love them. But here, it fell into the issues of abuse and grooming and I really didn’t enjoy it.
- I could also never get over Razim’s creepy behaviour as a 14 year old trying to get with his 11 year old sister… Just no. I couldn’t stand him the whole way through for this reason. But it seems to just be this thing that’s explained as ‘oh well they’re not really brother and sister so it’s okay that he spends the entire novel trying to fuck her’. It is attempted to explain why near the end, but I still felt very uncomfortable for a lot of the novel.

All in all, there are some great things about this book, but also some not great things. I really appreciate the representation in this book, I think it is handled so well, which makes it so much more difficult for me to highlight some of the things that made me very uncomfortable, because I can see this rep being so needed in YA. It’s definitely a book I can see many people enjoying, but ultimately, I think there were issues with relationship handling, repetition and pacing.











































































